Handmade Stringed Instruments for Traditional Music
© 2015 Tobin Instruments. All Rights Reserved.
Tel: 01544 239292 Email: email@example.com
The woods used in my instruments have been chosen as a result of many years experimentation by instrument makers past and present. They are not random choices but are used to provide the specific qualities required of a particular instrument.
I buy timber that is quarter sawn with a straight and even grain, and most importantly is from a sustainable source. It is stacked and seasoned for many months in a stable and dry environment before use.
The top or soundboard of an instrument is the part that really has to work. It needs to be able to detect the vibrations from the strings through the saddle and bridge, and then amplify and project them while imparting its own colour and characteristics and also those of the main body of the instrument.
There are three main choices of woods for instrument tops, European and Sitka spruce and Western Red Cedar. I make most of my instruments with European Spruce due to its overall power, projection and tonal qualities. However, both Sitka Spruce and the Cedar have their own particular characteristics and advantage, and both should definitely be considered.
The back and sides of an instrument with the soundboard complete the body. The density of the wood used for the back and sides and its ability to reflect the vibrations from the top will have its own influence on the tonal character of the instrument. For my instruments I favour Indian rosewood. It is a dense and resonant wood and imparts richness to the tone of the instrument. I also occasionally use Maple which is a lovely tonewood which has a clear and bright tone.
I use Brazilian mahogany or maple for the necks on my instruments. Both woods are light in weight and also have excellent strength and stability. Fingerboards and bridges are made from ebony, a dense, durable black wood. All purfling and binding, soundhole rosette, and headstock decoration is made from solid wood.
Creamy white in colour with a lovely even grain pattern. Great projection and vibrancy with good tonal clarity and balance. There is an even warmth to the tone and it has great sustain.
Darker in colour with a lovely orangey brown hue, straight even grain. Very responsive with a clear open tone and great clarity. Good power and projection and sustain.
Western Red Cedar
Beautiful rich and dark orange colour with very straight even grain. Softer than the other Spruces and less powerful, it has a clear sweet bright tone, rich mids and warm bass.
Wonderful colours of rich browns and purples with a striking grain pattern. The ideal wood for the back and sides. Very resonant with great sustain, rich warm tonal colour and clarity.
Creamy ivory in colour and often (as seen here) with a lovely figuring and flame. Not as dense as Indian Rosewood, but still a great tonewood. Good projection, clear and bright tone.